Movie review on Kingdom of Heaven (2005) Essay Example for Free

Movie review on Kingdom of Heaven (2005) Essay Though the movie can be considered to be masterful and superior as far as the visual and technical factors are concerned, the Kingdom of Heaven (2005) becomes a less outstanding epic film since there is a great alteration on the focus of the central theme of the story. Screenwriter William Monahan writes well about the story but Ridley Scott seems to become more interested in searching and probing the evils of religion rather than making a medieval epic. The fighting scenes are even mechanical. Leading actor Orlando Bloom, furthermore, though he has fine screen presence, inadequately assumes his role since his performance was monochromatic and subdued compared to the other leading actors of the different epic films. Aside from his not totally outstanding performance, Bloom seems to sound like the character in the Lord of the Rings. It seems that the dialogues of the main character are just stolen or adopted from the other movie (The Internet Movie Database 2010). Nevertheless, the movie is not a total frustration to the audience since the movie has undeniably almost perfect visual and technical factors. The portrayal of the medieval France and the city of Jerusalem was considered to be a brilliant technical accomplishment. Other characters such as Balian’s father (Liam Neeson), Tiberias (Jeremy Irons) and the king (Edward Norton) were successful in assuming their roles. They indeed portrayed an authentic characterization for a medieval knight. In total, the movie is worth watching if and only if it entails originality, focus on the theme, and some polishing on the characterizations of the characters. References The Internet Movie Database (2010). Kingdom of Heaven. Retrieved August 1, 2010, from http://www. imdb. com/title/tt0320661/plotsummary.

roll of thunder :: essays research papers

If you go back to the Old House, it's in ruins and the Clock Tower is gone. But remember this place to come back later when you have some items that you don't have at the moment... At Father's House, the baby bird is spreading its wings. Unfortunately, it doesn't say anything with a Relay. One of the books you may be able to read now is here too: Level 15 (Shield Pack). Don't worry if you're not up this high yet; if you keep fighting monsters you'll either get there, or you'll spend so much on curing damage that you'll eventually figure out you need to kill easier monsters for a while to get levels so you can add points to the Robots. It helps too if you raise the levels of the Robots' weapons, or build and give them better Boots or Shields. If you did manage to get to Level 19 already, read the book for Weather and follow the instructions in the Scraps section to get ScrapB. You can do this later though, with no ill effects. OK, let's go on a trip to South Isle! Go to the Harbor area, which is monster-free. Talk to the man in the grass skirt, then walk onto the boat. Wait while it toils across the seas of Quintenix. You'll arrive at the Pier area on South Isle. When you leave the area, the path to the Village area is revealed. Mint and more natives are in there, and the screen shakes along with a sound effect like a helicopter (on my emulator, at least); that's the Volcano. There's a Tool Shop in the Village, but it has the same stock as the one in Rococo and the prices are 50% higher. Find the Shaman's house in the northwest, and then enter the Elder's house in the northeast. Now visit the Shaman's house, and note that blocked door in the first room for later. Or you can skip all the background information, including talking to the Mayor, and just talk to the native in the Inn and then moving into the left bed. There will be a dream sequence with a gold robot at the Volcano. Talk to the native standing near the exit, and the path to the Volcano area will be revealed when you leave. The Volcano area is monster-free (for now). Explore it and get the Celtis 1 and $300 treasures before you talk to the native blocking the stairs to the hole.

History Part B

Controlled assessment part b i. Representation 1 is from the The English Police Force; A Political and Social History written by Clive Emsley, published in 1991. It suggests that the police were ineffective at stopping/preventing major crimes such as robbery. However, they were effective at stopping minor crimes in the local community. Representation 2 is A Plaint by a P’liceman, a poem published in Punch magazine in the late nineteenth century.It also suggests that the police were ineffective at stopping/preventing major crimes and that limited the effectiveness of the Police. However, the representation also suggests that the police were effective at stopping/preventing minor crimes but that was seen as ‘stop[ing] little boys from playing ball’. Representations 1 and 2 have a number of similarities. First of all Rep 1 and 2 portray the negative attitude towards the Police. This is shown by ‘belief among many of the working class that there was a law for th e rich and another, harsher law, for the poor.In some areas, they allowed fights and other law breaking activities, which they would’ve acted against elsewhere’. From representation 2, i can spot that it agrees with representation 1 as it says ‘’The street’s re quite unsafe’ they say, You’re robbed and mobbed in broad noonday But little boys they mustn’t play’’. Representation 1 also gives the impression that the Police were capable of preventing petty crimes but they differ in tone. This is shown by ‘what the police were especially good at, was apprehending those who committed petty street offences . Representation 2 is similar and i know this from ‘Stop little boys from playing ball, or move away an apple stall’. Finally, Representation 1 suggests that the police themselves were not to blame for their ineffectiveness. I know this from ‘The police never had sufficient manpower to suppress disorder entirely’. Representation 2 is similar as it suggests ‘ Well, if from growls you can refrain, it ain’t of us you should complain You’ve got thank SIR RICHARD MAYNE’. Representation 1 and 2 have a number of differences.First of all Rep 1 gives a negative view towards the police but it differs in attitude compared to Representation 2. This shown by the fact that Representation 1 gives negative view towards the police but it gives some positives of the Police, therefore giving balanced argument. However, Representation 2 gives a generally one sided view of the police, which is negative. The representation doesn’t seem to take into account the other side of Policing, creating a one-sided and biased view. Both representations differ in tone.I know this as Representation 1 gives an academic style, due to the language used. You must also take into account that it’s from a textbook. Meaning that it will have to be fair when creating a judgement of the Police. Representation 1 tends to use words such as ‘however’ and ‘although’. Representation 2 is wholly one sided being exaggerated. Emotional language is used, in order to build a negative view image of the police. I know this from the exaggeration and comparison of petty street offenders to boys ‘They bids me chivvy little boys’In conclusion the two representations are mostly different as the first representation gives a balanced view making a conclusion at the end after evaluating all points. Whereas, the 2nd Representation gives a negative focus and tone towards the Police without even considering the usefulness of the police. The main reason for this is Representation 1 concludes that ‘Although they[working class] may not have liked the Police, they realised that the police force were there to protect and serve the community’.By concluding in this manner, it shows that there is an understanding as to why the police are judged in a certain way but gave a reason as to why the Police were existent and that was to put order in society. Whereas, Representation 2 portrays the Police as useless when considering all the crimes that the Police should prevent. Representation 2 consider’s the Police as people who only put a plaster on the wound rather than healing the wound, in a sense. The downside for Representation 2 is that it is completely one sided which allows a lot of criticism to be made.The most important areas of difference is the tone and focus. I say this because, there is a clear difference because of the tone and focus. Representation 1 is a formal and factual piece focusing on all aspects of policing, thus, allowing the reader to understand the Police properly and leave the reader to make his own judgement. However, when it comes to Representation 2, the piece is informal and focuses only on the negative aspects of the Police. The piece doesn’t allow the reader to ma ke his own judgement fairly.

Oedipus the King A Greek Tragic Hero Essay - 516 Words

The philosopher Aristotle was a highly intellectual man who loved to reason. One of his ideas was his structured analysis of the â€Å"tragic hero† of Greek drama. In his work, Poetics, he defines a tragic hero as â€Å"...The man who on the one hand is not pre-eminent in virtue and justice, and yet on the other hand does not fall into misfortune through vice or depravity, but falls because of some mistake; one among the number of the highly renowned and prosperous.† Aristotle’s definition of a tragic hero is clearly shown by the main character in the Greek tragedy Oedipus the King by Sophocles. Oedipus, the protagonist in this Greek tragedy, is exemplary of Aristotle’s idea of a â€Å"tragic hero.† In Oedipus the King, Oedipus, the main character†¦show more content†¦He is blinded by his hubris and is the agent of his own destruction. The completion of Oedipus’ downfall is realization of his folly. He is then led to blind himself by his own hand and be banished from his own children and city according to his own decree. Oedipus is a victim of the Greek’s most powerful force – fate. nbsp;nbsp;nbsp;nbsp;nbsp;Aristotle says that a tragic hero will be sympathized and pitied. He says that they â€Å"excite pity and fear.† This is true in most respects for Oedipus in that he was once a greatly respected and revered man. As the tragedy begins to come to an end, an undercurrent of pity and sorrow is felt for Oedipus. Oedipus was once good, but has since then fallen. This makes his banishment one of even greater sadness, not of revenge. nbsp;nbsp;nbsp;nbsp;nbsp;Lastly, Aristotle describes the plays of the ancient Greeks as having â€Å"unhappy endings† due to the fallen hero’s fate. Oedipus is blinded and his beloved wife and mother, Jocasta, hangs herself due to the events of the plot. This certainly is an unhappy ending that brings mourning to the audience of Oedipus the King. The scene with Oedipus giving a final farewell to his children, Antigone and Ismene, hits home with every observer. nbsp;nbsp;nbsp;nbsp;nbsp;Overall, Aristotle’s definition of a â€Å"tragic hero† is clearly shown by the actions and emotions portrayed by Oedipus in the epitome of Greek tragedies, Oedipus theShow MoreRelatedOedipus The King : A Tragic Hero And Greek Classical Order979 Words   |  4 PagesSophocles a tragic dramatist, priest, Athenian general, is an ancient Greek writer who’s work has survived since circa 400 BC.; Oedipus the King is one of the three plays about Oedipus, believed to be first produced in 425 B.C., five years after the plague had broken out in Athens (Kennedy 947). Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero and Greek classical order. As Oedipus says in the play â€Å"if you think a man can sin against his own kind and not be punished for it IRead MoreEssay on King Oedipus as The Classical Greek Tragic Hero1360 Words   |  6 PagesKing Oedipus as The Classical Greek Tragic Hero In his Poetics, Aristotle defined the term tragedy as a man not preeminently virtuous and just, whose misfortune, however, is brought upon him not by vice or depravity, but by some error in judgement the change in the heros fortune must not be from misery to happiness, but on the contrary, from happiness to misery. From this definition, he further expanded it by defining the profile of the Classical Greek tragic hero, basing it on what heRead MoreEssay about Oedipus the King: A Greek Tragic Hero1096 Words   |  5 Pages Many Greek tragedies include a central character known as the tragic hero. In the play, Oedipus the King, by Sophocles, the character Oedipus, portrays to the reader the necessary, central, tragic hero. According to Aristotle, a tragic hero has a supreme pride (Jones. Pg. 133). That pride is a reflection of arrogance and conceit that suggests superiority to man and equality with the gods. Students of religion are often taught that pride Goethe before the fall. In Oedipus situation, hisRead MoreEssay on Oedipus: The Reign of a Tragic Hero1266 Words   |  6 PagesThe time period of Greek theater’s popularity was a very influential time in our world’s history. Without knowing what Greek theater was all about, how can someone expect to truly understand a tragic play and the history it comes with? The history behind the character of Oedipus, in the play Oedipus the King, is very complicated. His intricate past dealing with prophecies, family members, and murder is the main focus of the story. There are many characteristics that complete Aristotle’s definitionRead MoreOedipus As A Tragic Hero1094 Words   |  5 PagesIn the play Oedipus the King, Oedipus struggles to accept the truth and lets his temper over power him. He can be displayed as a tragic hero. His refusal to accept the truth led to Oedipus’ down fall. A tragic hero, as defined by Aristotle, â€Å"is a literary character who makes a judgment error t hat inevitably leads to his/her own destruction.† Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero. In the play, Oedipus unknowingly has cursed the entire town of Thebes. He was cursedRead MoreOedipus : The King Of Thebes And Tragic Hero Essay728 Words   |  3 PagesOedipus: The King of Thebes and Tragic Hero Ancient Greek Literature encompasses an assortment of poetry and drama to include the great masterpieces of tragedy. In Classic Literature, tragedies were commonly known for their elaboration of a protagonist fitting the classification of a tragic hero. This type of a tragic hero often collectively described as a character of noble birth, facing an adversity of some nature and a fate of great suffering. The characteristics of what encompassed a tragic heroRead MoreUnderstanding Fate in Oedipus Tyrannos1196 Words   |  5 PagesThe Greeks were one of the most powerful empires of early civilizations with the well documented conquest, legends, gods, etc. One of their most significant things left of their empire, is their theatrical style, none bigger than Tragedy. The Greek Tragedy was their basis of Drama and is still studied today. Their view of the world and life could be personified in the plays and by the personages. It is the case in the play Oedipus Tyrannos. The play, written b y Sophocles, represents the typical GreekRead MoreRole of Gods and Goddesses in Homers Iliad845 Words   |  4 Pagescriticism of Greek tragedy. His famous connection between pity and fear and catharsis developed into one of Western philosophys greatest questions: why is it that people are drawn to watching tragic heroes suffer horrible fates? Aristotles ideas revolve around three crucial effects: First, the audience develops an emotional attachment to the tragic hero; second, the audience fears what may befall the hero; and finally (after misfortune strikes) the audience pities the suffering hero. Through theseRead MoreThe Tragic Tragedy Of Sophocles Oedipus The King1601 Words   |  7 PagesThe Tragic Hero Tragedy deals with unexpected or unfortunate events that usually results in negative outcomes that affects the downfall of the main character in a play. Tragedy within Greek drama incorporates the time within the their lifestyle of religious and superstitions. Greek writers use tragedy as a theme in literature because it represents their civilization. Sophocles uses this theme in his dramatic plays because the audience is able to correspond to the story line. It allows the audienceRead MoreTragic Hero1598 Words   |  7 PagesTragic Hero From Wikipedia, the free encyclopedia A tragic hero is a protagonist with a tragic flaw, also known as fatal flaw, which eventually leads to his demise. The concept of the tragic hero was created in ancient Greek tragedy and defined by Aristotle. Usually, the realization of fatal flaw results in catharsis or epiphany. The tragic flaw is sometimes referred to as an Achilles heel after the single fatal flaw of the Greek warrior Achilles. [citation needed] Aristotelian tragic